Tuesday, December 22, 2009
Monday, July 27, 2009
Tuesday, June 2, 2009
Wednesday, May 6, 2009
Tuesday, May 5, 2009
Tuesday, April 28, 2009
Monday, April 20, 2009
Just wrapped up 2 children's books for Karadi Tales.. should be out in a while..watch out for 'SUPER HATHMAN' & 'THE TALLEST TALE!!'
Wednesday, April 15, 2009
Thursday, April 2, 2009
Now for something completely different...or is it?!!
Remembered these sketches (made long ago when we were working on Ekalvya) when writing the last post.
Dusted & cleaned them up.. was fun.
Btw that's Amitabh Bachchan, India's greatest Star of the last four decades. Both the sketches are based on my own experience being around him during the shoot of Ekalvya. I must admit, that I entertained the notion he wouldn't be larger than life at all..
But I am glad to say he was quite as you would imagine him to be.. overall at least, the details can be slightly different, the idiosyncrasies etc.. but he was very much The Big B.
Monday, March 30, 2009
"The fact that in traditional
The parampara was only a convenience, an ideal environment for the acquisition of a guru. That was all. It was always the student who sought out a teacher, never the other way around. The triggering mechanism of this relationship was the student. Never the teacher. To say that the guru-shishya parampara is dying out in
Most of the collateral features of such a relationship which are given so much importance in latter day analyses of the parampara, such as physical service to the guru, implicit obedience to him are small peripheral symptoms of this passion and not a cause or the substitute for it. Every generation has produced men and women capable of such passion right up to the present time. Few certainly, and they have always been few, but enough to put the wonder and mystery back into the simple art that is taught in school as Indian music.
Unfortunately, this relationship cannot be observed from outside, for it cannot be understood apart from the art itself. For the greater part of the relationship lies outside time and space. The specifics of raga and tala or composition can be acquired easily and by the simplest instruction. The real thing which such a student acquires from his Guru occurs through a subtle osmosis, a non-material transmission which is formless and without parts.
There is more than knowledge which passes between them. And this does not take the form of a teaching but manifests itself as a change of Being. This capacity to transform one's Being arises out of the interaction between the Guru and the shishya and is a kind of rebirth. The student extracts this out of the guru with the strength of his own passion."
K.L. Saigal – The Pilgrim of the Swara Raghava R. Menon
These are some of the charcoal sketches used in the Title sequence/Prologue for the film Ekalvya.. The prologue ( voice over narrative by Amitabh Bachchan) told the story of the tribal prince ( Ekalvya) who became immortal in myth as the ideal student.. He was so devoted to his Guru that despite being denied formal education, he learnt archery all by himself in the forest in front of a statue he made of his guru, the legendary Dronacharya. He was so devoted and focused he became a finer archer than all the royal princes personally taught by the great teacher.. An inspiring story from the Mahabharata.. and very significant, personally.
An extensive account of the making of this 3 minute piece with lots of images here..